Tennessee Williams

Primer for the Trump Apocalypse: Liar’s Poker

white_house_lawn

White House lawn, 30 May 2008. (Credit: Daniel Schwen / Wikimedia Commons)

Three impressive political lies came out of the White House during the first weeks of the Trump administration: 1) there was the summary affirmation, against all photographic and professional evidence to the contrary, that Trump’s inauguration was visited by “the largest audience ever to witness an inauguration, period, both in person and around the globe”; 2) there was the illusory claim that 3-5 million illegal votes were cast for Hillary Clinton in the past election, making Trump a loser in the popular vote, even though he won the presidency; 3) there was an Executive Order imposing a Muslim ban (which the White House denied was a Muslim ban), accompanied by an affirmation that we were in peril of terrorist attacks from seven Muslim countries, the citizens of which have never committed acts of terrorism against the United States.

To this we must add the coining of a new political concept by presidential advisor Kellyanne Conway (one missed by George Orwell in 1984): “alternative facts.” If this avalanche of fabrications continues unabated, Donald Trump will make Richard Nixon look like a paragon of virtue. One is tempted to shout, along with Big Daddy at the end of Act Two in Tennessee Williams’ Cat on a Hot Tin Roof, “CHRIST—DAMN—ALL—LYING SONS OF—LYING BITCHES!”[1] (more…)