meritocracy

A Cloud of Imperial Hubris

Paradise_Lost_12

Illustration for John Milton’s “Paradise Lost,“ engraving by Gustave Doré, 1866. (Credit: Wikimedia Commons)

Tirelessly, Tom Englehardt works to raise our consciousness and tweak our conscience as citizens of an imperial war state. At TomDispatch.com, he offers a regular antidotal drip of posts by thoughtful and insightful critics of militarism. His newest book, A Nation Unmade by War, was released on May 22, warning that an empire made by war is also unmade by it.

A mere gesture to Englehardt’s observation is enough to underscore the country’s ominous trajectory.

We Americans do not like to think of ourselves as an empire. Nevertheless, Englehardt observes, America’s empire of chaos exists in a “cloud of hubris.” Hubris, you say? Yes, hubris—that condition of extreme pride and self-confidence, of outsized ambition that offends the gods, of overreach that leads to downfall.  (more…)

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Primer for the Trump Apocalypse (Epilogue): A Wedding in the Countryside (Part 2 of 2)

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Santeria Centro Habana, 3 November 2014. (Credit: Bernardo Capellini)

Soul of the Drum

On September 29, 1947, Dizzy Gillespie and legendary Cuban drummer Chano Pozo unveiled Afro-Cuban jazz at Carnegie Hall by premiering George Russell’s Cubana Be, Cubana Bop. On that date, Chano’s conga drums and Abakuá chants were first combined with Gillespie’s griot trumpet and his band’s bebop sounds. The integration of jazz and Afro-Cuban music demanded virtuoso accommodations from all performers. But in a shining corner of the universe, the ancient sounds of Africa—heretofore fragmented in diaspora—were reunited again. Chano and Dizzy had bridged two separate and distinct ontologies.[1] (more…)