James Joyce

Primer for the Trump Apocalypse (Epilogue): A Wedding in the Countryside (Part 2 of 2)

Santeria_Centro_Habana

Santeria Centro Habana, 3 November 2014. (Credit: Bernardo Capellini)

Soul of the Drum

On September 29, 1947, Dizzy Gillespie and legendary Cuban drummer Chano Pozo unveiled Afro-Cuban jazz at Carnegie Hall by premiering George Russell’s Cubana Be, Cubana Bop. On that date, Chano’s conga drums and Abakuá chants were first combined with Gillespie’s griot trumpet and his band’s bebop sounds. The integration of jazz and Afro-Cuban music demanded virtuoso accommodations from all performers. But in a shining corner of the universe, the ancient sounds of Africa—heretofore fragmented in diaspora—were reunited again. Chano and Dizzy had bridged two separate and distinct ontologies.[1] (more…)

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