White House lawn, 30 May 2008. (Credit: Daniel Schwen / Wikimedia Commons)
Three impressive political lies came out of the White House during the first weeks of the Trump administration: 1) there was the summary affirmation, against all photographic and professional evidence to the contrary, that Trump’s inauguration was visited by “the largest audience ever to witness an inauguration, period, both in person and around the globe”; 2) there was the illusory claim that 3-5 million illegal votes were cast for Hillary Clinton in the past election, making Trump a loser in the popular vote, even though he won the presidency; 3) there was an Executive Order imposing a Muslim ban (which the White House denied was a Muslim ban), accompanied by an affirmation that we were in peril of terrorist attacks from seven Muslim countries, the citizens of which have never committed acts of terrorism against the United States.
To this we must add the coining of a new political concept by presidential advisor Kellyanne Conway (one missed by George Orwell in 1984): “alternative facts.” If this avalanche of fabrications continues unabated, Donald Trump will make Richard Nixon look like a paragon of virtue. One is tempted to shout, along with Big Daddy at the end of Act Two in Tennessee Williams’ Cat on a Hot Tin Roof, “CHRIST—DAMN—ALL—LYING SONS OF—LYING BITCHES!”(more…)
A warmonger, by definition, is someone who promotes war—urges it, stirs it up. Warmongering is especially foreboding when it comes from a person who is the Commander-in-Chief’s political advisor, chief strategist, senior counsel, and foreign policy guru. Philip Rucker, the Washington Post’s White House Bureau Chief, observes that, “Trump considers Bannon a savant and is allowing him to shape his presidency and especially his foreign policy.”[i](more…)
Painting of Halldór Laxness by Einar Hákonarson, 1984. (Credit: Klettur / Wikimedia Commons)
Halldór Laxness, Icelandic poet, playwright, and novelist, was awarded the Nobel Prize for Literature in 1955. The saga Gerpla (1952) was among the works recognized by the Nobel Prize committee. Philip Roughton’s new translation of this saga of misguided glory, Wayward Heroes, was published on November 1, 2016.
Wayward Heroes is a story drawn from ancient Icelandic tales of valor in a medieval Norse world of trolls, Viking raids, skaldic lays, dueling Kings, and Christian hypocrisy. It is an allegorical critique of contemporary militarism, the senselessness of violence. Its immediate referent is the Cold War rivalry between the US and USSR. Its continuing relevance, by extension, is to the US colossus and its Global War on Terror.
This tragic tale of comedic critique features the oath-brothers, Thorgeir and Thormod, both obsessed with glory and sworn to avenge one another’s death, whomever dies first. Thorgeir aspired to be an intrepid hero in the service of King Olaf Haraldsson of Norway (Olaf the Stout, himself a Viking thug). Thormod was a skald, a poet determined to tell the story of heroic battles fought by his chosen king. It does not end well for any of them. (more…)
Professor Ernesto Laclau during a presentation in Ecuador, 16 May 2012. (Credit: Cancillería Ecuador)
Ernesto Laclau’s conception of populist reason, as I mentioned in a recent post, is an account of the people being constituted in discourse. It complicates the distinction between speaking by and speaking for the people. A “people” exists in and through the practice of representation. The representative reflects in some degree the identity of those represented but also adds something to the mix (such as an informed judgment on a matter in dispute), which contributes to their identity. Representation “is a two-way process,” moving back and forth between represented and representative, with the identity of a “people” subject to reconstruction rather than frozen in time.[i]
Laclau insisted “the construction of a ‘people’ would be impossible without the operation of mechanisms of representation.” Those mechanisms include the articulation of an empty signifier with which people can identify because it represents (names, incarnates, invests) a chain of equivalences among a heterogeneity of unmet demands.[ii] This process is integral to the operation of democracy. (more…)
Fireworks in New York, 2002. (Credit: Jon Sullivan / PDPhoto.org)
Hunt the Devil will take a brief break for the holiday season. We will return on January 5, 2016.
Oscar and I are grateful for our readers. We wish you a happy holiday.
Over the last twenty-two months, we have written nearly 180 posts based on our book, Hunt the Devil (published in 2015 by the University of Alabama Press) and building toward a sequel to Hunt the Devil, the working title of which is After Empire.
So far, three articles for academic journals on the After-Empire project have emerged from the blog. Two already are in print: (more…)
Russia’s President Vladimir Putin Meeting with Iran’s Supreme Leader Grand Ayatollah Ali Khamenei. (Credit: President of the Russian Federation / http://www.kremlin.ru)
Brian Amsden, who teaches at Clayton State University, produces podcasts about once a month answering—one story at a time—the question of how we humans come to believe the impossible things we believe. His show is called Rhetorical Questions.
The most recent episode, Episode 7, is Brian interviewing me about Hunt the Devil: A Demonology of US War Culture. Brian asks great questions and makes excellent observations throughout the interview. (more…)
“The Hell,” mosaic by Coppo di Marcovaldo, circa 1301. (Credit: Wikimedia Commons)
In times of trouble, I do not consult the Bible. I visit the astonishing and still very relevant Devil’s Dictionary by the bewildering Ambrose Bierce. Its word definitions—compiled during the last half of the nineteenth century—are cleansing, illuminating, and especially joyful during times when our minds are full of signs (indeed the certainty) that the prophesied and long-awaited Apocalypse is upon us.
Observe, for example, its sober definition of ABSURDITY = A statement or belief manifestly inconsistent with one’s own opinion. Take heed, all those who labor in “new” universities and houses of learning, of the dictionary’s stern proclamation of the decadence of such institutions: ACADEMY = A modern school where football is taught.(more…)
“Four Horsemen of Apocalypse,” by Viktor Vasnetsov. Painted in 1887. (Credit: Wikimedia Commons)
Like Gabriel sounding the trumpet for the Final Judgment, or like an unwanted guest who names the rope in the hanged man’s house, Francis I stood before our Clown Congress and spoke the names of four American warrior saints. If our legislators would know them, or come to know more about them, they would realize that the Pope was urging upon us the consequences—in the course of time—of following the words of these Four Riders of the Apocalypse. (more…)
Hunt the Devil: A Demonology of US War Culture is now available for purchase, and our publisher — University of Alabama Press — has provided us the opportunity to offer our book to our readers at a 30% discount through October 31, 2015!
Simply order the Hunt the Devil: A Demonology of US War Culture directly from University of Alabama Press using a special discount code, and you can get this “timely and illuminating exploration of demonic imagery in US war culture” for just $35.00 USD.
“The Great Satan” by Brazilian cartoonist Latuff, 1 October 2003. (Credit: Wikimedia Commons)
Does US Representative Seth Moulton slip or trip war culture’s demonization trap when he endorses the Obama administration’s nuclear deal with Iran?
As mentioned in the preceding post, the congressman allows that the deal does not require the US to trust Iran and concedes that Iran is a determined enemy of the US and Israel that supports international terrorism and violates human rights. The basic premise of the case for rejecting the nuclear accord and its underlying Manichean mythos of good versus evil remains unremarked and unchallenged.
War culture remains rhetorically intact, whether one decides to support the nuclear accord on the congressman’s terms or reject it. The perseverance of war culture on this matter is reflected in the expression of public opinion. (more…)